

PROGRAMME
Planned films for the Year 2024/25​
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Doors open at 7.00pm and all films start at 7.30pm, unless otherwise stated
9 May 2025
All We Imagine as Light
India 2024
Drama
Dir: Payal Kapadia
Cert: 15
1 hour 55 minutes

This is an absorbing study of three nurses in modern-day Mumbai and it is a glorious film. The light, the lives, and the textures of contemporary, working-class Mumbai are explored and celebrated by writer/director Payal Kapadia, who won the Grand Prix at last year's Cannes Film Festival for her revelatory fiction feature debut. The film alights on moments of connection and heartache, hope and disappointment. There is a freshness and emotional clarity in the film, an enriching humanity and gentleness which coexist with fervent, languorous eroticism and finally something epiphanic in the later scenes and mysterious final moments.
13 June 2025
Agent of Happiness
Bhutan 2024
Documentary
Dirs: Arun Bhattarai and Dorottya Zurbó
Cert: 12A
1 hour 34 minutes

In Bhutan, they measure progress not just by GDP, but also Gross National Happiness. This quiet, gently absorbing documentary follows two “happiness agents” as they travel door-to-door, like census workers, collecting data for the government’s happiness survey. There are 148 questions in total. Do you own a tractor? Goats? What about chickens? When was the last time you cried? Do you trust your neighbours? The agent compiles the answers into a table and crunches the data into an individual happiness score of between 0 and 10.
The impossibility of putting a number on happiness is quickly revealed. “How happy are you?”, one man is asked. “I’m as happy as the number of grains in my rice storage,” he replies. The agent marks that as a 7 out of 10. Then there’s a rich farmer who boorishly boasts of having three wives. He scores his life as a perfect 10, and answers on behalf of wife number one; she’s a 10 for happiness too, he says. If he bothered to look at her, he might notice otherwise.
Really, this is a film that quietly, intimately observes the lives of ordinary people. Co-directors Arun Bhattarai and Dorottya Zurbó are not interested in analysing the Gross National Happiness index, whether it’s a gimmicky stunt or if the government meaningfully translates it into policy. Increasingly, their focus settles on one of the happiness agents, Amber Kumar Gurung, a gentle soul, unhappily single in his 40s. That subplot of this lonely happiness agent gives the film the melancholic, gently ironic mood of an arthouse drama.
It’s gorgeously shot with much food for thought.