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WELCOME

Taunton Film Society serves Taunton and the surrounding area.

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It is a friendly, flourishing society run by people who love film and who endeavour to curate a well balanced programme of diverse, innovative and thought provoking films from around the world.

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We warmly welcome new Members.

WHERE & WHEN

The Society meets once a month on a Friday evening in The Space Theatre, situated next to the Tacchi-Morris Arts Centre, School Road, in Monkton Heathfield, Taunton TA2 8PD. 

This is a modern theatre on the outskirts of the town, with easy level access, tiered seating, and ample free car parking. There are refreshments on arrival, and time after the film for a discussion… for those so inclined! You can leave feedback on paper slips before you leave, or at your leisure on the Contact page of this website.

 

Doors open at 7.00pm;

films start at 7.30pm.

 

Screenings are open to Members and their Guests - it is possible to join ‘on the night’.

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The website is regularly updated. Refresh your screen to ensure you have the latest information.

NEXT FILM

23 October 2026

The Two Prosecutors

The Two Prosecutors.jpg
Uktaine/Russia 2026
History/Political Thriller
Director: Sergei Loznitsa
Cert: 12+  -  1 hours 57 minutes

An idealistic young official is ensnared in tyrannical Soviet-era bureaucracy in Ukrainian director Sergei Loznita’s superb, slow-burning drama.

Honour and idealism collide with brute force in this masterful work of cinema. The backdrop is the Soviet Union in 1937. Joseph Stalin’s great purges are cutting a swath through the old guard of Communist party members, while an oppressive atmosphere of suspicion looms over everything.

When Kornyev (Aleksandr Kuznetsov), the newly appointed investigative prosecutor for the Bryansk region, learns of corruption in the local branch of the NKVD secret police, he does his duty to his country and his job by the book. But he finds himself in a bureaucratic labyrinth in which every corridor is corpse-grey and every door is slammed in his face.

The film is extraordinary: the measured pace exerts an ever-tightening chokehold of tension, and the period details are brilliantly evoked. And, as with any examination of the savagery of totalitarianism, this story set nearly 90 years ago manages to feel chillingly relevant.

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